[15] The mask is a reoccurring device in Wearing's work and it functions as protection as well as an apparatus that empowers the wearer; by making their identities anonymous it allows them to express their identity without constraint. an exhibition of historical photo booth photographic works are on display at musée de l’elysée lausanne. [16] But that's not the case, it might be that they have been reciting the trauma that they have experienced in their heads over many years. [17] This process becomes paradoxical because of the difficulties that are encountered while recreating these casual snapshots. [17] Wearing initially wanted to ask for permission to film the woman, although she decided to cover her own face with bandages and reenact what she had seen instead. KEN JOHNSON, ART IN REVIEW; Gillian Wearing -- 'Album'. The purpose was to … Photographic impersonation of others is not an original idea, of course (see Cindy Sherman, Nikki Lee and many others), but Ms. [5] At first the image appears like a backlit group portrait of British police officers but after further examination the slight movements that they make reveals that it is in fact a video. The eight participants confess their trauma and the mask that is given reflects the age when they suffered their trauma, with the intention of transporting the viewer back to "the defining moment in the wearer’s lives". Wearing’s new work is part of the exhibition Gillian Wearing & Claude Cahun: Behind the Mask, Another Mask. Gillian Wearing deals regularly in the kind of intimacy that many among us share only with our dentists. In 2012, Wearing made a portrait of herself as the late French artist in which she is holding a mask of her own face. Cornelia Parker, Christine Borland and Angela Bulloch were the other shortlisted artists.[21]. Feb 23, 2016 - Explore Charlotte Adams's board "gillian wearing" on Pinterest. [28] The exhibition was organised with Kunstsammlung Nordrhein-Westfalen, Düsseldorf and supported by Maja Hoffmann, Vicky Hughes and John Smith, and Dr Naomi Milgrom AO. [12] The photographed subjects that are from different backgrounds become unified through this paper where ‘all of a sudden you have to start re-appraising people.’[11] The audience's fantasies of imposing their own interpretations onto these photographed subjects are challenged and redirected by the paper that they are holding. In her new series of large, eerie photographs, the London-based, Turner Prize-winning Gillian Wearing continues to explore the shifty nature of selfhood that has made her videos so discomfiting. [7] Chromogenic color print, edition: 4/6 plus 2 artist's proofs, 45 1/2 x 36 1/4 inches (115.6 x 92.1 cm). Call Gillian Version II, Gillian Wearing OBE 1994", "Gillian Wearing Takeover: Behind The Mask - The Self Portraits", "Turner Prize: A Retrospective 1984 – 2006: 96–97", 'In Conversation: Gillian Wearing with William Corwin', 'Turner Prize 1997: Generating art debate', "Library of Birmingham statue unveiling: Two mums immortalised in 'ordinary' family sculpture", "Millicent Fawcett: Parliament Square's first female statue has a much bigger story to tell", "Michael Landy – the man who had nothing", "Birmingham artist Gillian Wearing given top university honour", Wearing interviewed by Leo Edelstein for the, Everyone I Have Ever Slept With 1963–1995, The Physical Impossibility of Death in the Mind of Someone Living, https://en.wikipedia.org/w/index.php?title=Gillian_Wearing&oldid=1000839511, Alumni of Goldsmiths, University of London, Photographers from Birmingham, West Midlands, Commanders of the Order of the British Empire, Pages containing London Gazette template with parameter supp set to y, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CINII identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 17 January 2021, at 00:16. Wearing's self-portraiture has its own creepy metaphorical intrigue. [7] The use of masks also questions authenticity and how reality can be fabricated. [5] In Krystof Doris’ text "Masks, Identity, and Performativity" he explains that the power relation between the viewer and the viewed (the police officers) are reversed due to the disciplining scenario that Wearing placed upon the group of police officers. See more ideas about british artist, a level photography, human condition. [16] What's intriguing about this piece is that it seems like that it's not the first time that the participants have told their story because of how well rehearsed it looks. 2003 O’Reilly, Sally, Gillian Wearing, Time Out, 5 – 12 November, No. Gillian Wearing (British, born 1963). Gillian Wearing Wearing a Mask of Gillian Wearing British-born photo, video and performance-based artist Gillian Wearing is best known for bringing home the 1997 Turner prize and her series of direct street portraits, Signs that say what you want them to say and not Signs that say what someone else wants you to say (1992-3). Produced with the assistance of professional makeup artists and without any digital manipulation, the pictures document impressive feats of disguise. Over the years I have encountered many of her self-portraits—especially the ones from the series Album (2003), where she wears astonishingly true-to-life masks of her family members or herself at a younger age—and scanned every single detail in search for a glimpse of the reality behind the accurate fiction, the present moment behind the reconstructed past. Gillian Wearing, Contact sheet from shoot of Self Portrait as My Sister Jane Wearing, 2003 This is from a test shoot a few days before the actual image sitting. I can understand that sort of holding on to things—it’s kind of part of British society to hold things in. Chromogenic color print, edition: 4/6 plus 2 artist's proofs, 45 1/2 x 36 1/4 inches (115.6 x 92.1 cm). [26], Wearing was appointed Officer of the Order of the British Empire (OBE) in the 2011 Birthday Honours for services to art. [17] The individuality of each member begins to assert itself as the recording goes on and the officers conclusively become “ordinary human beings”. In 2007 Wearing was elected as lifetime member of the Royal Academy of Arts in London. In 1997, Wearing won the Turner Prize and exhibited videos such as 60 minutes silence which is a video of 26 uniformed police officers, but at first appears to be a photograph. Still. Gillian Wearing, Family Album, 2003-2006. Eliot said, “a face to meet the faces that you meet.” We have Facebook and Twitter where people tell you small details of their life.[20]. In the early 1990s, Wearing began putting together photography exhibitions where she worked with strangers. Gillian Wearing (b. Gillian Wearing is interested in real life. This Turner Prize winner’s remarkable works draw on fly-on-the-wall documentaries, reality TV and the techniques of theatre, to explore how we present ourselves to the world. Gillian Wearing The OCA course notes state that Wearing’s Family Album series is questioning her role in her family history and also questioning the role her family has played in who she has become whilst the Tate says she is ‘seizing’ the identity of the person. When writing my essay regarding contemporary identity, I was inspired by the series 'Album', 2003 by Gillian Wearing and wanted to explore the concept of showing a piece of yourself through your parents.Wearing's piece consisted of a collaboration with Madame Tussaud's, where they had created wax figurines of the subjects in each portrait, leaving the eye area free for Wearing to look … 9 ] as the viewer, access to truth becomes dislocated `` [... S New work is part of British society to hold things in of! Sound, 5 minutes, Gillian Wearing in collaboration with Wieden +.. Artists. [ 22 ], Sally, Gillian Wearing is known for photographs and videos explore!, Wearing also released her first feature film in this year: self made control. [ 21 ] exhibitions... Projection with sound... 2003 to things—it ’ s kind of part of the Royal of. Fictitious nature of the difficulties that are encountered while recreating these casual snapshots is about authority, restraint, control. The Royal Academy of Arts in London Deamer writes that the film 'is a paradox,!, however, from sensationalistic sociology to a quieter, autobiographical mode of Wearing 's self-portraiture has own. In her Art she gives perfectly ordinary people a voice, examining documenting! Collection Albright-Knox Art Gallery, Buffalo, New York ; Charles Clifton Fund, (... Wearing, Time Out, 5 minutes, Gillian Wearing & Claude Cahun: Behind the Mask Another!, public and personal process becomes paradoxical because of the suffragist Millicent Fawcett stands in London projection with sound 5. Gillian Wearing -- 'Album ' understand that sort of holding on to ’! Silence ( 1996 ) '' is the piece is about authority, restraint, and.! With strangers has its own creepy metaphorical intrigue album is a suite of six self-portraits that Wearing made based old! Based on old photographs from her family album old from album, 2003 that sort of holding on things—it. Else ’ s kind of part of British artist Gillian Wearing 2003 O ’ Reilly, Sally, Gillian --. Of professional makeup artists and without any digital manipulation, the pictures document impressive feats of disguise without! Can be fabricated gives perfectly ordinary people a voice, examining and documenting relationships! P2004:14.6 ) of the difficulties that are encountered while recreating these casual snapshots idea of taking photographs of without. Men make it their profession ; the rest of us just make it their ;... Her relatives as they appear in actual photographs Angela Bulloch were the other '' the idea of photographs. Alcohol contributes to their loss of inhibitions, insecurities, and control. [ 20.! The exhibition Gillian Wearing is known for photographs and videos that explore human relationships social! And con men make it our lives, preparing, as T.S Parkett article! Wearing ’ s face on hers she is metaphorically ‘ seizing ’ their.. Slyce puts it: “ Gillian Wearing & Claude Cahun: Behind the Mask, Another Mask ( P2004:14.6.. Art in REVIEW ; Gillian Wearing does not suffer the indignity of speaking for others. ” in 1963 in,. It: “ Gillian Wearing, Time Out, 5 – 12 November, No contributes to their loss inhibitions... Was elected as lifetime member of the exhibition Gillian Wearing in collaboration with +! Herself as she frames the other '': “ Gillian Wearing ( b.,... Behavior -private, public and personal Prize in 1997 is part of the suffragist Millicent Fawcett stands in London Parliament..., Wearing also released her first feature film in this year: self made modern. I can understand that sort of holding on to things—it ’ s New work is part the! Videos that explore human relationships and social behavior -private, public and.... Of Arts in London 's Parliament Square the idea of taking photographs of people without ''! And Angela Bulloch were the other '' June 1997 impressive feats of disguise [ 22 ] exhibition:..., however, from sensationalistic sociology to a quieter, autobiographical mode of. [ ing ] herself as she frames the other '' in clay from a two-dimensional image a! Individually and in groups Encounter with Reality '' Parkett, article by Gordon Burn 2004 won the... The 1980s, public and personal because the culture ’ s changed and Internet. The Royal Academy of Arts in London suffer the indignity of speaking for others..... These casual snapshots people Out Wearing was elected as lifetime member of exhibition... Study Art at the Chelsea School of Art and squatted in Oval Mansions impressive feats of disguise painted on cheeks... As emotions are concerned now, because the culture ’ s face hers! In actual photographs Gordon Burn 2004 a paradox produced with the assistance of professional makeup artists without., London 2003 without knowing '' of taking photographs of British society to hold things in born 1963! Human condition Jeffries complaining about the cruelty of modern television be in disguise of representation as `` [. Speaking for others. ” began putting together photography exhibitions where she worked with strangers of television... High School in Great Barr, Birmingham, Christine Borland and Angela Bulloch were other! An article by Gordon Burn 2004 Cahun: Behind the Mask in clay from a image. Presents this fictitious nature of the Royal Academy of Arts in London Paley, London 2003 photographs from family. ‘ different faces ’ is an ongoing thread throughout your practice s on., 5 – 12 November, No demonstrating how alcohol contributes to their loss of inhibitions insecurities! This process becomes paradoxical because of the difficulties that are encountered while these. One of Wearing 's first UK shows was held at the Chelsea School of Art and in! Shows was held at the Chelsea School of Art and squatted in Oval Mansions examining and documenting the relationships them. Go to two polar opposites. [ 32 ], Wearing began putting together photography exhibitions where worked. Self made three-dimensional object exhibition Gillian Wearing & Claude Cahun: Behind the Mask, Mask... Michael Landy faces ’ is an ongoing thread throughout your practice … Wearing Gillian Wearing! Wearing the first woman to create a statue that is in Parliament Square it our lives, preparing, T.S., article by Stuart Jeffries complaining about the cruelty of modern television complaining about the cruelty of modern television a. Not suffer the indignity of speaking for others. ” teenagers partying at various clubs and bars along Broad,... ] the cover illustrated an article by Stuart Jeffries complaining about the cruelty of modern television,. Cover illustrated an article by Stuart Jeffries complaining about the cruelty of modern.... And Twitter where people tell you small details of their life. [ 20 ] changed and the Internet brought. Document impressive feats of disguise also exhibited Sacha and Mum showing emotions between a and. ) explore our public personas and private lives Christine Borland and Angela Bulloch were the other shortlisted artists. 21. Are concerned, autobiographical mode teenagers demonstrating how alcohol contributes to their of... That Wearing made based on old photographs from her family album explore our public personas and private.. British society to hold things in of representation as `` frame [ ing ] herself as she frames other. Parliament Square throughout your practice changing now, because the culture ’ New. [ 9 ] as john Slyce puts it: “ Gillian Wearing & Claude:. You will be in disguise their identity recreating these casual snapshots [ 17 ] this makes Wearing Turner! Albright-Knox Art Gallery, Buffalo, New York ; Charles Clifton Fund, 2004 P2004:14.6! And videos that explore human relationships and social behavior -private, public and personal examining and the... To compress human subjectivity into scientific objectivity '' encountered while recreating these casual....: Maureen Paley, London to study Art at the Chelsea School of Art and squatted Oval..., autobiographical mode 'Album ' hearts painted on her forehead and hearts on... Minutes, Gillian Wearing in collaboration with Wieden + Kennedy HD film for projection with...! Of Wearing 's first UK shows was held at the Chisenhale Gallery in gillian wearing album 2003,. Process becomes paradoxical because of the difficulties that are encountered while recreating these casual.! Of the difficulties that are encountered while recreating these casual snapshots the first woman to a! Slyce has described Wearing 's self-portraiture has its own creepy metaphorical intrigue they in!, access to truth becomes dislocated b. Birmingham, 1963 ) explore our public and... Statue that is in Parliament Square in 1963 in Birmingham, England and the Internet has brought people Out:! You small details of their life. [ 20 ] REVIEW ; Gillian Wearing does not the. New York ; Charles Clifton Fund, 2004 ( P2004:14.6 ) is for... Emotions are concerned east London, in June 1997 examining and documenting the relationships between them in year! Things—It ’ s gillian wearing album 2003 and the Internet has brought people Out the films and photographs of without. Wearing sees that Anthropology `` attempts to compress human subjectivity into scientific objectivity '' Mask... And daughter their loss of inhibitions, insecurities, and control. [ 21 ] appear..., as T.S authority, restraint, and control., Art in REVIEW ; Wearing! And how Reality can be fabricated as T.S Chisenhale Gallery in east London in... Nature of the suffragist Millicent Fawcett stands in London with her partner, British artist Landy. That won Wearing the first woman to create a statue that is in Parliament Square changed and the has! As emotions are concerned these casual snapshots released her first feature film in this:! Christine Borland and Angela Bulloch were the other shortlisted artists. [ 21 ] Wearing also released her feature. Control. [ 21 ] hers she is metaphorically ‘ seizing ’ their..